Interviews Magazine scans Photoshoots

NET-A-PORTER – If Lily James could play any role from cinematic history, what would it be? “That’s a tough question,” says the actress, who you’ll probably recognize as Rose in Downton Abbey and Disney’s princess Cinderella. She wrinkles her nose in concentration. “I was watching The People vs. Larry Flynt last night,” she offers finally, referring to the ’90s biopic of the American porn baron, starring Woody Harrelson as Flynt and Courtney Love as his stripper girlfriend, Althea Leasure. “Courtney Love in that,” she drops her voice to a whisper. “Oh, God, incredible. It would be good to go that far, to go into a space and be with a director and a group of people and just let everything go. That would be cool.”

This is an interesting moment for James. After a deftly timed flirtation with darker, edgier subject matter in last year’s Baby Driver, plus an eye-catching appearance as Churchill’s secretary in Darkest Hour, the 29-year-old actress is raising her game with three female-led features that promise to position her as a British leading lady with international clout. First up is the long-awaited film adaptation of beloved historical novel The Guernsey Literary and Potato Peel Pie Society, directed by Mike Newell. Later this month there’s Little Woods, an indie gem developed by its 28-year-old director Nia DaCosta in a Sundance incubator; and finally July’s sun-drenched, all-singing, all-dancing sequel Mamma Mia!: Here We Go Again, in which James plays Donna (aka Meryl Streep’s younger self).

It is the morning after the Oscars, and James and I are meeting at a north London cafe close to the actress’s home. Ever-so-slightly disheveled, she could be any cute London girl – dressed in reworked vintage jeans (“From Austin”), a huge overcoat, Burberry plaid scarf and sloppy sweater sourced from a local boutique – if it weren’t for the Julia Roberts-level mega-wattage of her beauty, which she only really switches on once we’re ensconced at our table and sipping coffee. After months of Mamma Mia!-ing (“So intense, because I had to sing, I had to dance… and I felt kind of like I was going to screw it up”), she is recovering. “Seeing friends that I haven’t seen in so long and just not feeling guilty about being able to drink wine every day. I can eat what I want and not go to the gym and just be really lazy.” Ergo, she spent Oscars night in bed (asleep), waking to excited text messages from her actor beau Matt Smith (currently out in Los Angeles) about Gary Oldman’s Darkest Hour win. Since then, she’s mostly been watching Frances McDormand’s acceptance speech: “So many times. Like on repeat! I met her at the BAFTAs and she is just a complete rock star. She’s just so completely herself.”

(Read the rest of the story at the source)

GALLERY LINKS
Magazine Scans > 2018 > Porter’s Edit (April)
Studio Photoshoots > Outtakes & Sessions > 2018 > Session 004

On The Record
With her all-singing, all-dancing role in Mamma Mia! Here We Go Again, Lily James is clearly well-versed in ABBA. But which other artists does she listen to when she’s at home? Press play to watch her wax lyrical about her favorite musical memories in an exclusive behind-the-scenes video

Articles Guernsey Interviews Magazine scans Photoshoots

THE TELEGRAPH – The day before we meet, Lily James went to a yoga class for the first time in many years.

‘I was lying on my back and they were like, “Do a crab,”’ says Lily. ‘And I was like, “Sure…”’ she mimes an awkward attempt at the pose, pushing her chest out, arms flailing hopelessly to the side. ‘And I suddenly realised that I can’t just… you know, I can’t do a crab any more!’

She used to do yoga regularly, but the habit fell by the wayside. Well, I say, you’ve been otherwise occupied. She nods. ‘I have.’

At 29, Lily already has the sort of CV many older actresses can only dream of. She landed her first role in the BBC adaptation of Just William straight after graduating from the Guildhall School of Music and Drama eight years ago. By 2015, Lily was playing the lead in Disney’s live-action retelling of Cinderella.

The next year, she was Natasha in the BBC’s critically acclaimed War and Peace. In 2017, she put on a faultless American accent to star as diner waitress Deborah in the Edgar Wright-directed Baby Driver, and took on the role of Winston Churchill’s secretary in Darkest Hour, the film that won Gary Oldman a Best Actor Oscar.

And now her latest role sees Lily back in 1940s tailoring, playing Juliet Ashton, a writer emotionally scarred by the Second World War, in The Guernsey Literary and Potato Peel Pie Society. Adapted from the bestselling novel of the same title, it is directed by Mike Newell (of Four Weddings and a Funeral fame).

Lily’s 20s, she says, have been ‘mad. I’ve just been going and going and going.’ Along the way, she’s also had to contend with the endless interest in her relationship with the actor Matt Smith, 35, who she has been dating for four years, since they met on the set of Pride and Prejudice and Zombies. There were rumours of a romance for months, but Lily stuck firmly to the ‘just good friends’ line until they finally made it public with a red-carpet appearance at the Cinderella premiere in February 2015.

(Read the rest of the entry at the source)

GALLERY LINKS
Magazine Scans > 2018 > Stella (April 08)
Studio Photoshoots > Outtakes & Sessions > 2018 > Session 003
Articles Magazine scans Photoshoots

HARPER’S BAZAAR UK – There is something about Lily James’ enchanting beauty that makes her the perfect heroine of period drama – but it’s her vivacious spirit, warmth and intelligence that bring these roles to life for a modern audience. She talks to Sophie Elmhirst about being inspired by her grandmother’s life in occupied France in World War II, the importance of having more female directors in Hollywood, and the positive changes already underway.

There’s a story that Lily James has heard her French grandmother tell over the years. In World War II, James’ grandmother was a child, living in the French countryside. The Nazis took over the house during the occupation and the family were forced to flee to Paris in convoy with the French army. When they finally returned after the war, they found their home destroyed, the cellars flooded, a fur coat floating on the water. ‘When I talk to her,’ says James now, in amazement, ‘I think of how their lives were completely turned upside-down, the horror of it all, and how she carried on and could be here sitting having a cup of tea with her granddaughter.’

There’s something about that fur coat: how a detail can summon an image, an insignificant moment in an epic chronology of destruction that for some reason lingers. Lily James and I are sitting in a Highgate café talking about World War II because she is, once again, starring in a film from that time, The Guernsey Literary and Potato Peel Pie Society, adapted from the 2008 book of the same title, by Mary Ann Shaffer and Annie Barrows. (In fact she’s in two, released in quick succession: the other is Darkest Hour, in which she stars as Winston Churchill’s secretary.)

(Read the rest of the article at the source)

GALLERY LINKS
Magazine Scans > 2018 > Harper’s Bazaar UK (April)
Studio Photoshoots > Outtakes & Sessions > 2018 > Session 001
Magazine scans Photoshoots

Lily is featured in the newest issue of Grazia Italia (September 07) with a brand new interview and some unseen outtakes from the Baby Driver promotional photoshoot. The scans, outtakes and a new promotional photo from her campaign My Burberry Blush have now been added to the gallery. Enjoy!

GALLERY LINKS
Magazine Scans > 2017 > Grazia Italia (September 07)
Studio Photoshoots > Outtakes & Sessions > 2017 > Session 006
Other Projects > Ad Campaigns > Burberry (2016-) > My Burberry Blush (Promotional Shot)
Magazine scans

Lily and Ansel Elgort are featured on the cover of Voyage magazine, July/August issue. Digital scans have been added to our gallery, enjoy!

GALLERY LINKS
Magazine Scans > 2017 > Voyage (July/August)
Magazine scans

Lily is on the cover of Mujerhoy magazine, June 24. We’ve updated the gallery with scans from the issue featuring new outtakes from the ‘Baby Driver’ photoshoot!

GALLERY LINKS
Magazine Scans > 2017 > Mujerhoy (June 24)
Magazine scans

A couple of days ago we posted about Lily’s new editorial + interview for DuJour magazine, now digital scans from the issue have been added to the gallery. The photoshoot looks great! Make sure to check them out and please, credit us if you repost/share them.

GALLERY LINKS
Magazine Scans > 2017 > DuJour (Summer)
Magazine scans Photoshoots

Lily is featured in the Summer 2017 issue of DuJour Magazine with a brand new and beautiful editorial! You can find the cover of the issue and some outtakes in our gallery. Digital scans will be added as well as soon as we get our hands on the magazine! Enjoy!

GALLERY LINKS
Magazine Scans > 2017 > DuJour (Summer)
Studio Photoshoots > Outtakes & Sessions > 2017 > Session 002